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Hello and Happy Christmas

24.12.10 | Rosie Hermon

As the new Arts Administration/ Communications and Marketing Assistant at BPB, I would just like to take this opportunity to introduce myself and wish everyone a Merry Christmas and a Happy 2011! Over the coming months I will be updating this blog regularly to deliver updates and news from the BPB office as planning for the next Biennial gets underway. I have just updated BPB's .....read more

BPB and me

18.11.10 | Leah Bartczak

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Two months at the Brighton Photo Biennial have flown by already and this fledgling Project Co-ordinator has tried her hand at a range of new things. Thrown in at the deep end, I spent my first day of work at a disused 1930’s department store. The exhibition New Ways of Looking was to be installed at the former Co-op on London Road, Brighton, and I was to go on-site for an afternoon, to lend a hand. My head was spinning on day 1 with the sheer pace at which things move in the world of ar .....read more

An account of researching for the Biennial

29.11.08 | Gabriela Cala-Lesina

My experience of interning as a research assistant for this biennial opened my mind and eyes to the sorts of images one is able to access on the internet without restriction or censorship. I was asked to find different websites which represented the recent wars in Iraq and Afghanistan, from both pro- and anti-war positions. Having a clear aim and purpose to surfing the net, I systematically sieved through the relevant sites. I found a consistent stabbing repetition of horrific images of destr .....read more

Many thanks

26.11.08 | Julian Stallabrass

The exhibition at Bexhill, The Sublime Image of Destruction, stays open until January, but the other Biennial exhibitions have now closed. We are looking into possibilities for touring elements of the Biennial, both in the UK and abroad. There are many people who deserve thanks for making the Biennial what it was, including all those who worked at the various venues, those who worked at the Biennial office, and those who helped with advice and loans, including people from the Imperial .....read more

Brighton Photo Biennial 2008 closing weekend and our two final events.

13.11.08 | Helen Cadwallader

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I am delighted to announce the concluding weekend of the Brighton Photo Biennial 2008 and our two final events. The one day conference Memory of Fire programmed by Julian Stallabrass on Saturday 15th November is a serious opportunity to engage with the themes and issues relating to this edition of the Biennial. And Post Up! The War of Images by Anthony Lam on Friday 14th and Saturday 15th November in Jubilee Square, Brighton is an open invitation to .....read more

Comments Books

03.11.08 | Julian Stallabrass

Jody White wrote in the comment book for Iraq Through the Lens of Vietnam: ' Julian, please document / photograph this book (comments) and include it as part of the site. It is also a document/ record which will be a valuable archive and adds a further layer to the experience of the exhibition.' It is indeed a remarkable record of people's responses, and I will be posting a selection of the comments onto the blog for all the Brighton exhibitions (including Hirschhorn and Van K .....read more

In Conversation Podcasts: Available Now

29.10.08 | Chloe Hoare

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All our In Conversation events have been recorded and turned into handy podcasts for you to download. Follow this link to subscribe to the Biennial podcasts. There is one In Conversation event still to be uploaded. .....read more

Speaking and Responses

27.10.08 | Julian Stallabrass

I have been speaking about the Biennial in many different circumstances and to many different audiences. Something that has come across very strongly is that many people are deeply engaged by the subject, often feel that they have not been well-served by the mass-media depictions of it, and appreciate an attempt to bring about a more considered and critical view. Much of what I have done in curating the Biennial is to re-present photojournalism in a frame that allows for a deeper engagement w .....read more

The Autumn/Winter issue of Photoworks Magazine is available on newsstands worldwide.

16.10.08 | Chloe Hoare

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The issue includes the Brighton Photo Biennial 2008 Programme. Co-published with Photoworks, this fully illustrated 24 page publication provides details of BPB 2008 exhibitions and events including a concise essay by Julian Stallabrass introducing festival themes and issues, and an essay by Sarah James exploring the genre of aftermath photography in the museum. .....read more

PHOTOGRAPHY IN THE COMMUNITY

14.10.08 | Annis Joslin

"Photography in the Community" is an extension studies course for 2nd year undergraduates from different courses (Photography, Illustration, Visual Culture and Critical Fine Art Practice) at the University of Brighton. The course is aimed at students who are interested in gaining practical work experience in the field of community arts and socially engaged practice. During the eight week course, the students will visit and engage with the Brighton Photo Biennial exhibitions "Ir .....read more

Geert Van Kesteren: Why Mister Why? and Baghdad Calling

13.10.08 | Julian Stallabrass

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Comment on this exhibition, on show at Lighthouse in Brighton, below: .....read more

Julian Germain: War Memorial

13.10.08 | Julian Stallabrass

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Add comments on this exhibition, at Aspex in Portsmouth, below: .....read more

Harriet Logan: Unveiled: Voices of Women in Afghanistan

13.10.08 | Julian Stallabrass

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Add comments on this exhibition, at the Independent Photographers' Gallery, Battle, below: .....read more

The Sublime Image of Destruction

13.10.08 | Julian Stallabrass

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Add comments on this exhibition, at the De La Warr Pavilion in Bexhill, below: .....read more

Thomas Hirschhorn: The Incommensurable Banner

13.10.08 | Julian Stallabrass

Comment on this exhibition, on show at Fabrica, Brighton, below: There are many lengthy and heartfelt responses in the gallery's comments book. One asks: where are the pictures of the victims of the terrorists? Well, there are undoubtedly many of them in the banner. Hirschhorn does not ask of these pictures--who are the dead, are they terrorist or soldier or civilian? There are also pictures from different wars included. His interest is partly in weapons as agents of terror as .....read more