August 4, 2003, (near) Tikrit, Iraq
© Geert van Kesteren
Courtesy the artist

Susan Meiselas

Exhibition: Photography & Revolution: Memory Trails Through the Latin American Left

Susan Meiselas received her B.A. from Sarah Lawrence College and her M.A. in visual education from Harvard University. Her first major photographic essay focused on the lives of women doing striptease at New England country fairs. She photographed the carnivals during three consecutive summers while teaching photography in the New York public schools. CARNIVAL STRIPPERS was published by Farrar, Straus & Giroux in 1976. A selection was installed at the Whitney Museum of Art in June 2000. The original book was recently revised and reprinted by the Whitney Museum and Steidl Verlag.
Meiselas joined Magnum Photos in 1976 and has worked as a freelance photographer since then. She is best known for her coverage of the insurrection in Nicaragua and her documentation of human rights issues in Latin America, which were published widely throughout the world. In 1981, Pantheon published her second monograph, NICARAGUA, JUNE 1978-JULY 1979.

Meiselas served as an editor and contributor to the book EL SALVADOR: THE WORK OF THIRTY PHOTOGRAPHERS (Writers & Readers, 1983) and edited CHILE FROM WITHIN (W.W. Norton, 1991) featuring work by photographers living under the Pinochet regime. She has co-directed two films: “Living at Risk: The Story of a Nicaraguan Family” (1986) and "Pictures from a Revolution" (1991) with Richard P. Rogers and Alfred Guzzetti. In 1997, she completed a six year project curating a 100-year photographic history of Kurdistan, and integrating her own work into the book entitled KURDISTAN: IN THE SHADOW OF HISTORY (Random House, 1997). Meiselas then created the website,, an online archive of collective memory; as well as an exhibition that was launched at the Menil Collection in Houston, and traveled over eight years to venues in the United States and Europe.

Her 2001 monograph, PANDORA'S BOX (Magnum Editions/Trebruk) which explores a New York City S & M club, was most recently exhibited in Amsterdam. In 2003, ENCOUNTERS WITH THE DANI was featured as an installation in the International Center of Photography's Triennial "Strangers" and co-published by ICP/Steidl Verlag. The book explores a 60-year history of outsiders’ discovery and interactions with the Dani, an indigenous people of the highlands of Papua in Indonesia.

Meiselas has had one-woman exhibitions in Paris, Madrid, Amsterdam, London, Los Angeles, Chicago and New York. Her work is included in American and international collections. Honorary awards of recognition include: the Robert Capa Gold Medal for “outstanding courage and reporting” by the Overseas Press Club for her work in Nicaragua (1979); the Leica Award for Excellence (1982); the Engelhard Award from the Institute of Contemporary Art (1985); the Maria Moors Cabot Prize from Columbia University for her coverage of Latin America (1994); and the Hasselblad Foundation Photography prize (1994). In 1992, she was named a MacArthur Fellow.